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Out and About with Issue 08

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It’s springtime! It’s time to get your gear out, go out into the open and shoot exceptional portraits on location.

To motivate you, we’re kicking off our latest issue of Good Light! Magazine with a cover story featuring lighting fundamentals for an outdoor shoot at a little lake near Düsseldorf, Germany, the home of Good Light! Magazine. The weather in Germany is notoriously unpredictable, so we also feature an article by Sarah Pulvermüller with practical advice for handling indoor shoots.

If you are fortunate enough to live in a country such as Thailand, the home of our featured photographer Watcharwit Ya-inta, where the weather is much more pleasant then you might enjoy street photography as your excuse to get out and about. Read and watch his emotional story and take his 10 Tips to Kick-Start Your Own “Strangers on the Street Challenge" to heart. Also, check out Kevin Tang’s interview with David Miller, who transforms street photography into surreal art form.

How do I smoothly angle down the Easy-Up Softbox with the Mitros+ speedlight inside? I simply mounted a Phottix Multi-boom 16" Flash Bracket on the umbrella swivel. Check it out, it's working like charm!

 

And if you are not subscribed to Good Light! Magazine yet, then fix it right now so that you can check out Issue 08 immediately. Try out our setups and produce some stunning images.

==> Click here for your subscription

Issue 08 is now available to all subscribers of Good Light! Magazine. Like always, our precious subscribers are the first to get ahold of new issues. With their subscription, they also enjoy a nice discount. 

I wish you good light!
-- Michael

 

Image above

Model: Noemi Kappel
Photo: Michael Zelbel

 


Happy Easter!

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Kinga Szabo for Good Light! Magazin

The team at Good Light! Magazine wishes you a happy easter day! May it be full of love.

We wish you good light!

Your Good Light! Team

Photo: Kinga Szabô
for our Hot Topic 2 - Issue

Deadline June 14th: Submit your outdoor people photos

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ViewBug, the premier photo contest community, is hosting the Good Light Photo Contest for chances to win awesome prizes. Participating is simple - all you need to do is visit the photo contest and submit your best shots.

The contest will have a Jury Selection and a People’s Choice, the winner of each category will get a publication in Good Light! Magazine and the ViewBug blog as well as a free 1- year membership in Michael Zelbel’s photographer coaching club ProPortfolio-Club, which is home of Good Light! Magazine.

Share photos you have taken when you were out and about. Be creative and original!

==> http://www.goodlightmag.com/photo-contest

I wish you good light!
Michael

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This week only: ALL of your practical photo tips in ONE PDF download!

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We are celebrating the 2nd anniversary of our little magazine. We are looking back at publishing 8 regular issues of Good Light! Magazine – that’s a whole lot of awesome tips, tricks and instructions for the your photo shoots.

One question, which we got a couple of times recently, is whether we can offer a way to download all issues of the magazine at once. While there are technical and also legal reasons that prevent us from offering this at an ongoing basis, we can make a little exception while we are celebrating our birthday. For this week only we can provide you with all issues, including the subscriber-only Hot Topic issues, in PDF format in one convenient download.

==> Check the PDF Birthday Bundle

On June 14th we have to take down the download.
 

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Issue 09 – Create a world of surreal pixels!

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In this issue of Good Light! Magazine, we feature photographers who defy logic and stretch their imagination to create images of their dreams. At the same time we are breaking their processes down into easy, repeatable steps for you, so that you can practically apply the techniques in your photo shoots. Like always we keep it simple and sweet. In the cover story for example we show you how to shoot hot, sexy shower photos, without even using a shower.

Have a look at the video of this article:
 

And if you are not subscribed to Good Light! Magazine yet, then fix it right now so that you can check out Issue 09 immediately. Try out our setups and produce some stunning images.

==> Click here for your subscription

Issue 09 is now available to all subscribers of Good Light! Magazine. Like always, our precious subscribers are the first to get ahold of new issues. With their subscription, they also enjoy a nice discount. 

I wish you good light!
-- Michael

 

Image above

Model: Olga Kaminska
Photo: Michael Zelbel

 

Check out the FREE sample issue!

Deadline September 14th: Submit your water and people photos

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ViewBug, the premier photo contest community, is hosting the Good Light Photo Contest for chances to win awesome prizes. Participating is simple - all you need to do is visit the photo contest and submit your best shots.

The contest will have a Jury Selection and a People’s Choice, the winner of each category will get a publication in Good Light! Magazine and the ViewBug blog as well as a free 1- year membership in Michael Zelbel’s photographer coaching club ProPortfolio-Club, which is home of Good Light! Magazine.

Share photos you have taken when you were out and about. Be creative and original!

==> http://www.goodlightmag.com/photo-contest

I wish you good light!
Michael

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FREE Cover Photo Workshop at Photokina

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Friday/Saturday September 19th/20th Photokina Cologne, Germany, 
Phottix Stage, Stand F-021, Hall 4.1., 13:00 - 16:00

Together we are going to shoot glamour photos for magazine covers, play with the latest lighting gear and have a lot of fun. Michael will bring Playboy Playmate Coxy Dominika as seen in Good Light! Magazine Issue 07. You just have to bring your camera (with a standard hot shoe).

Details to be announced by the magazine on Michael’s newsletter. Join his list over here to receive your workshop invite: http://www.goodlightmag.com/workshop
 


Issue 10 – Wedding Photography

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In this issue of Good Light! Magazine we are shooting brides and couples in creative ways, for example bridal boudoir with Playboy Playmate Evelin Aubert. We explain how to break into commercial wedding photography and you will see Michael's biggest lighting fail ever. 

If you are not subscribed to Good Light! Magazine yet, then fix it right now so that you can check out Issue 10 immediately. Try out our setups and produce some stunning images.

==> Click here for your subscription

Issue 10 is now available to all subscribers of Good Light! Magazine. Like always, our precious subscribers are the first to get ahold of new issues. With their subscription, they also enjoy a nice discount. 

I wish you good light!
-- Michael

 

Image above

Model: Mariia Ki
Photo: Michael Zelbel

 

People Love Before / After Photos!

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A couple of days ago I had a photoshoot with Playboy Playmate Coxy Dominika.  It was a workshop at Photokina, Cologne for Good Light! Magazine. Make-up and styling were done in our home studio. We also shoot a couple of test photos.

A minute ago I was about to render a before / after make-up image with the these photos. My clients, models and followers love the before&after images.
I see that many photographers miss out on these photos, so I spontaneously  decided to record a quick screencast on how I generate such a before/after image.

 

Downloads

Horizontal Lightroom Template

Vertical Lightroom Template

(right-click, save as, then choose "import" in Lightroom's Print Module)

I wish you good light!
Michael

 

4 Technical Tips for Shooting Cover Photos

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Would you like to see your work on the cover of a magazine? Maybe even on my little ol’Good Light! Magazine? Then I have a few technical tips for you. We recently held a little workshop at a trade fair called Photokina. Playboy playmate Coxy Dominika was posing on the Phottix stage for us and we were allowed to play with the prototype of the awesome new Indra500 TTL Studio Light. 

 

 

So we quickly set up a one light setup with the Indra light in an octa box above camera angled downwards to Coxy. Our participants one by one came up on stage and were shooting totally awesome, cover-worthy photos right there.


While the visitors were happily shooting, I explained a concept that’s supposed to make cover photos very E.A.S.Y. 

E – Eye Contact
Photos with strong eye contact engage potential readers more than photos without eyes looking away. Want to make the contact with your lens even stronger? Then let the model lean towards your lens retaining that strong eye contact and probably try to shoot a shorter lens, around 35mm.

A – Angled Light
In order to visualize the features of your model, the light of your flash must come from a certain angle. Shooting with the light coming straight from next to your camera will flatten out her face and her body. You don’t want that.

S – Sharpness
A small aperture, at least f/11 (fullframe) is your friend when it comes to cover photos. Eliminate blurriness.  Make sure that the closest eye is really sharp and that your model is crisp from front to backside.

Y – Yield Space
Don’t crop into your model on your cover photo. Leaving negative space around the model will give the editor some positioning room. A lot of space should be left especially if the photo background will be part of the cover.


Keep E.A.S.Y. in mind whenever you are shooting something that potentially should find it’s way onto a cover.

I wish you good light!
Michael

 

Model: Coxy Dominika,

Photography Coach: Ortwin Schneider, Studio Fotomagic 

Special thanks to the awesome Achim Dunker from Netlektionen.de for helping me with this video!

Check out his webinars (in German), they rock!

 

Quick wet hair snapshot

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Emily and I just returned from our trip to Lanzarote, which I talked about in my last email. Thanks a ton to those of you who replied to my request for pointers and contacts - you really rock!


Now I can reveal that we stayed in lovely Puerto del Carmen, in a resort named "Spice". We love this place. Check them out if you and your partner are open for adventure: http://www.spicelifestyle.com, NSFW.

As promised, I did shoot quite a few photos of Emily, but I have not turned any of them into tutorials yet. However, I thought I should at least share a half minute behind-the-scenes video that Emily filmed when I was making a snapshoot of Cousin Amy on our terrace.

Amy just came out of the jacuzzi. When your friend is posing with dripping wet hair, you better be quick with your photo. That's exactly when TTL for flash control comes in handy. I did set my Odin radio transmitter to ETTL,  controlling a Mitros+ Speedlight inside a 60x90 softbox-umbrella. Snap-snap-snap... done. And off she goes to the hair dryer.

Pay attention to the histogram shown in the video. I marked the higher mid-tone area, which contains the tones that the flash produces on the subject. This is the portion of the tone you absolutely want to nail in your exposure. TTL is NOT a guarantee for getting these tones right, so try to keep an eye on them at all times.

 

 

I wish you good light!

Michael

Now Monthly

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Issue 11 is now available to all subscribers of Good Light! Magazine. Like always, our precious subscribers are the first to get ahold of new issues. With their subscription, they also enjoy a nice discount. 

The cover image is from our workshop at photokina. Remember the 4 tips from the video?

Here they are again:

 

 

More than a thousand readers provided us with valuable feedback, and in the coming months we will do our best to use it for making your experience with Good Light! Magazine even better.

One wish stood out in particular – for us to update more often. In this fast-paced time, a quarterly magazine just isn’t enough…

So brace yourselves – Good Light! Magazine is going monthly, starting now!

==> Click here for your subscription

 

With the next issue coming out on January 15th, we will start a little series of tips for spicy holiday photos. Emily and myself did shoot these on our recent holiday at Club Spice on Lanzarote. A very first half-minute impression of can be seen in my

==> Last email (Holiday Photo BTS) 

 

I wish you good light!
Michael

 

Image above

Model: Emily Wei
Photo: Michael Zelbel

 

It Made Click! Color Spaces

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Today's question is about the in-camera histogram (which I use all the time) and also about working with different color spaces..

I use

  • RAW (propriatary color space) for all adjustments in LightRoom
  • 16 bit ProPhotoRGB for all edits in PhotoShop
  • SRGB whenever exporting the results for web or simple printers


I know some gurus will not like it but I never do anything in Adobe RGB. I don't see any sense using it.

Histogram: The in-camera histogram is based on a JPG preview and might indicate a slightly lower dynamic range than what the RAW file actually provides me. This means, if I nailed the exposure according to the in-camera histogram, then the RAW file will be excellent.

The thing that I mention in the video when talking about the striped pattern that I flashed accross the scene is the Lightblaster.
The patterns were part of Good Light! Magazine Issue 7.

Model: Victoria Sweet

Issue 12: Sunshine in your heart

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Issue 12 is just published. If you are a subscriber, then you already have the issue in your app or in your email. If you are not subscribed, then quickly fix it here

With this issue we want to bring some much-needed sun into your (he)art. That's why we traveled to Lanzarote, an Island that is sunny in winter and we filmed a few tips for hot holiday photos that work not only with your DSLR, but even with your smartphone:

 

 

I wish you good light!

Michael

 

Image above

Model: Amy
Photo: Michael Zelbel

 


Giveaway: The Fine Art Nude DVD

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From Phottix and Lindsay Adler

Photographing the human body is an art of its own: the light flatters the nude form in very intricate ways. New York fashion photographer Lindsay Adler released a master class DVD that goes into great details on the tools and techniques of nude art photography, and Phottix has been generous enough to offer the DVD (a value of 275$) in a giveaway.

If this DVD is an ideal learning tool for novices, it can also serve as a refresher or as an inspiration for expert photographers. Either way, this DVD is an amazing walk through everything you need to know to create beautiful fine art nude photography. The DVD is divided into four main sections: Intro, posing, lightning and creativity. Let's look at the sections in more details.
 

 

Adler presents the different way to communicate with and direct your subject. Good communication is just as important as good lightning in a nude photo session. Adler also covers topics like grooming, shot expectations, body positioning and planning.

Posing: Learn how to emphasize or hide certain part of the body to flatter your subject with the help of intricate posing. Alder proposes five tips to improve your model's poses, five common posing mistakes, and finally she gives her five go-to poses which should be the building blocs of every nude art photo session. She also explains how to build from these five poses and create your own unique poses.

Lightning: How to light your model and how to use shadows. Not only does Adler present lightning setups, but she explains how the light transforms the subject's body and how you can use the angles of light and modifiers to change the appearance of your model's body. She also goes through ten staple lighting setups, which can be adapted to any budget. Alder also covers how angle, positioning and posing interact with light.

Creativity: Now equipped with the proper tools and techniques, the photographer is ready to create. Adler explains how to take simple nude photos into fine art. She also goes into great depth about her creative process and the choices she makes when creating a piece.

On top on everything listed above, the DVD also contains fifty high quality posing examples along with a guide on how to recreate them. This DVD is a work of art and should be seen by every photographer interested in nude art.


==> Click here to enter giveaway on Facebook 

I wish you good light!

Michael

 

It Made Click! Glamour Model Rates

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There are people who have strong opinions about what is a fair compensation for amateur models doing sexy photo shoots that are conducted by hobby photographers. 

Before discussing what pricing should be, etc. it is important that we define some aspects before moving forward.
 
What is an Amateur Model?
An amateur model is a woman that is the middle ground between a pretty girl with zero experience and a professional model. Although an amateur model has experience with being in front of the camera, she will not have as much time or experience as a model that is under the professional umbrella. This is a model that is not represented by an agency, etc. She enjoys having her picture taken, but this is not what she does for a living. 
 
What is a Hobby Photographer?
This is a photographer that is not consistently paid for their work. For the most part, they are photographing concepts due to the enjoyment of the craft and an occasional publication submission.
 
What is considered a Sexy Photo Shoot?
A sexy photo shoot is one that consists of artistic nudes or lingerie themed photos. This is not a shoot that calls for a woman to look sexy in an evening gown, etc. It is also not about pink shots, but a sexy, artistic rendering of a concept derived by a client or the photographer himself. 
 
What is fair?
Now that we have defined the basic terms of this quandary, let us tackle it head on. Universally it has been deemed acceptable for an amateur model to be paid $50 per hour for her participation in a sexy photo shoot. There are hobby photographers that are most likely twisting their faces right about now. But let’s take a deep breath. I know that many of you feel that if you are not being paid, that you should not be paying a model; and especially not one that is not a professional. Well, you have the choice of seeking out a model that is willing to shoot TFP; but there is a reason why you chose the model that requires payment.
 
It is perfectly ok for a model to ask for payment given that she is giving up the rights to her image in regards to the shoot and she must handle hair and make-up (in most cases) herself. Not to mention, many of you had your disappointments with models that work solely for TFP. Models that work for payment tend to be, on average, more experienced and more professional. You will be left with stunning pictures for your budget class. It is a win-win for both parties involved.
 
On the other side of the spectrum, I also know that there are models that are dropping train cases thinking that the unveiling of $50 per hour is going to be the muddying of the model payment tier. Dear darlings, be aware that this minimal fee will do nothing to the fees that professional models can charge. As an amateur you in no way can command the same wages and/or perks of a professional or super model. Anyway, the gigs paying $50 are in another league than the ones paying professional wages. There is no overlap, hence no damage done to the industry.
 
In the video above I go into more detail about this and point out how supermodels are also working for these low rates sometimes and why it makes good sense for them.
 
For us photographers, this is a clear pointer how we can attract the right talent within the budget that we have. So check out the video and please give it a thumbs up!
 
I wish you good light!
Michael 
 

Win Kevin Tang's Glamour Training

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Publishing his hot magazine Amped Asia Kevin Tang has done a countless number of successful glamour photo shoots. He shares his tips, tricks and recipes in

Glamour Training.

This week PhotoWhoa is giving away 10 copies of this training (value $49 each) to our awesome Good Light! Readers and viewers. 

=>  Click here to enter the giveaway on Facebook

With a bit of luck you will soon recreate Kevin’s light and poses and shoot your own magazine-quality glamour photos.


I wish you good light!
Michael

Setting Up Soft Light Shouldn’t Be Hard

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How do I get my light so soft in my photo shoots? It is perhaps the question which I am asked most frequently, with people asking about buying a bigger umbrella or some secret photography technique. I will share with you the exercise I do in order to get a feel for the softness of any new light modifier that I add to my box of lighting tools.

 
More tips on maternity photography in my eBook:
 
You may not always have access to modifiers in different sizes, but you will pretty much always be able to control the distance between your subject and your light source. That’s the reason why I suggest to exercise using your modifier at various, defined distances and compare the results. By practicing this, you will be able to master light and consciously shoot photographs with the right lighting attitude.
 
Here’s your exercise: When you are setting up your light source then measure the distance between the light source and the point of contact. Start the exercise by placing the soft box quite far out, about 8 feet from the subject. The light will be quite hard, but you will know what that looks like. Then move the light 2 feet closer, and shoot again. Take some time to note the difference between the two images. When I did this exercise shooting a baby belly, which is a comparably big object, I did not notice much of a difference until the light was just 4 feet away. 
 
This is also the distance you typically start noticing that you are getting the sort of light you are looking for. At 2 feet away, the attitude of the light is markedly different and will suit a great deal many purposes.
 
Finally, move the light source 1 foot away from your subject. It will do no harm to your model and it will help you become more confident with incorporating light choices into your shoots. When all of this is done, you now have a set of images which will inform future lighting choices, and will help you find the perfect distance you need to get the shot you are looking for.
 
I wish you good light!
Michael 
 

Phottix Indra500 Quick Start

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My brand new Indra500 (with battery pack) arrived last weekend and I was eager to try it out. I did a quick photo shoot with Playboy Playmate Coxy Dominika here in Düsseldorf.

Quick Start - here's how I have setup the Indra for this shooting:
 
  • Battery switch: High Speed (no worries, it lasts very long)
  • Menu 1 / Option 2, Modelling Light: 09 (I wish it would go up to 20...)
  • Menu 1 / Option 3, Mode TTL (I dial in manual settings on the Odin)
  • Menu 4 / Option 1, RX: Odin-C (because I use my Odin for Canon controller)
  • Menu 4 / Option 2, Quick flash mode: Activate (I want it to fire in any case)
  • Menu 4 / Option 3, Ready beeb: Deactivate (with a strong flash I don't need it unless I shoot it on full power)
 
In case I figure out better options I am going to update you. Make sure you are on my list.
I found that the Indra500 blends in perfectly with the lighting gear that I'm using all the time, which is the Odin radio controller and a few Mitros+ speedlights.
I tried it out for a couple of photos inside my warm and cozy home studio and then took my tests outdoors at Düsseldorf’s Media Harbor, which was kissed by sunshine but blistering cold at the same time.  
 
Controlled by my Odin Radio Transmitter
I control the Indra with the Odin from on-camera exactly like I usually control and trigger my off-camera speedlights. Often we're shooting with two cameras alternating in my photoshoots. Then we're using a Mitros+ speedlight in parallel as the second controller on the other camera. The Indra can be controlled with that one as well. 
 
Performance
I shot a rapid fire series of Coxy of her shaking her head, her lovely curls flying in the air. The performance of the flash was solid, no misfires or outtages.
 
TTL
I also tried out shooting the Indra in TTL mode varying my flash to model distance between 3 feet and 15 feet. All exposures were perfect. In some situations, it's really handy when a flash supports TTL. This is true at events, for example, where I have to switch apertures from f/2.8 for portraits to f/5.6 or f/8 for group shots, and I cannot control the distance of my subjects from the flash so well. 
 
Power: Portrait at f/40
On a side note, it's always good when the flash has got a strong power reserve, and the Indra has got a powerful 500w/s. To test the limits, I tried to shoot a portrait at f/40. And it works beautifully. Usually, I will never shoot at f/40, but the power comes in handy. Especially, when you've got light-hungry light modifiers such as big softboxes and of course when shooting outdoors, using High Speed Sync. 
 
High Speed Sync
To test this out, I took Coxy outdoors by a canal in Media Harbor. We produced a portrait with shallow depth of field at f/2.8. On this bright day I had to go to 1/8000s with my shutter speed in order to darken the sky to a nice, solid blue. 
Stopping down to f/5.6 finally gave us a day to night portrait with a very dark ambient. 
 
Working with TTL Groups
I also added a hair light by placing a speedlight behind the model, added it to group B on my Odin controller, and disabled TTL for this group, since the camera cannot really measure a hairlight. I kept it on manual on ¼ power. The Mitros+ speedlights are also High Speed Sync capable and the Odin controller handles multiple groups very well.
And that's what I mean when I say that Indra blends perfectly into my existing gear and that's how I'm going to use this flash.
 
Look up the detailed Indra500 specs in the Phottix Store. You can order the Indra there, but it won't be shipped before February 26th because businesses in China are closed during Chinese New Year.
 
What would you like to see?
If you have any ideas what I should try out with the new Indra, then please drop me a comment!
 
I wish you good light!
Michael 
 
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